Comparing Hamlet And Oedipus Rex - 1868 Words

Marcos Martinez John Q. Davis English 103 Date†¦.. Hamlet Oedipus Rex In Shakespeare’s Hamlet and Sophocles’ Oedipus Rex, there is a seemingly close common relationship shown between the two plays regarding mainly the community and era in which they took place in. As well as different scenes throughout both stories which show very similar ideas from the writers such as, murder being the common theme in both plays. One example comes from the story, Oedipus the King, and it is that there is a direct relationship between the state of the state and the state of their kings. There is also a close bond between the two plays where Oedipus’ armed entrance into the bedroom in which Jocasta, his wife, has committed suicide and was found hung there, and how the two plays relate is where in Hamlet, there was a confrontation of Gertrude in her bedroom to. Both of these well-known classic plays share an emphasis in a somewhat sad irony throughout a chain of events that had led up to the ritual of catharsis. However, though both plays have simil ar plots in some aspects, the idea in Hamlet creates a much more difficult, as well as complicated character than that of the classic Greek tragedy play of Oedipus the King. The two plays have many series of unfortunate events that presents itself to the reader throughout the play for each of the protagonists. Both Sophocles’ â€Å"Oedipus Rex† and Shakespeare’s’ â€Å"Hamlet† deals with the acts of murder and betrayal in different ways in order toShow MoreRelated Comparison of Oedipus and Hamlet Essay1322 Words   |  6 PagesComparison of Oedipus and Hamlet Compare and contrast Oedipus and Hamlet. Is Oedipus more a man of action? Or is he more a man driven by whim and sudden, rash decisions? Which character is more selfless? Does Hamlet show any signs of selfish motives in his actions or inactions? Which protagonist seems more learned? wiser? more religious? more loving? more incestuous? Which seems to be a better murder investigator? Does Oedipus have any of Claudius motives when he kills the king, Laius? ThenRead MoreEssay Death of a Salesman, Tragic Hero. Willy Loman.1503 Words   |  7 Pagesbelieved to be the perfect tragedy is Oedipus Rex by Sophocles. ‘Death of a Salesman’ is definitely a tragic play, but is Willy Loman, the main protagonist, a tragic hero? According to Aristotle a tragic hero must possess ‘Megalopyschia’, otherwise known as an elevated status. Willy Loman is an unsuccessful salesman of the late 1940s. He is not perceived to be ‘great’ or ‘noble’ such as other characters in traditional tragedies including Oedipus Rex, Macbeth and Hamlet all of which whom are kings. Willy’sRead More A Freudian Reading of Hamlet and Titus Andronicus Essay2542 Words   |  11 PagesA Freudian Reading of Hamlet and Titus Andronicus  Ã‚     Ã‚   In 1900 the eminent Austrian psychologist Sigmund Freud produced a seminal work entitled The Interpretation of Dreams which contains the idea that dreams allow psychic exploration of the soul, that dreams contain psychological meanings which can be arrived at by interpretation. Freud states that â€Å"every dream will reveal itself as a psychological structure, full of significance, and one which may be assigned to a specific place in the psychicRead MoreA Streetcar Named Desire And Hamlet Essay1761 Words   |  8 Pageswicked speed, to post, It is not, nor it cannot come to good. But break, my heart, for I must hold my tongue† (Shakespeare 1.2.62-63). The play â€Å"Hamlet† by Shakespeare and one of Tennessee Williams famous book called â€Å"A Streetcar Named Desire† are very similar. Both of these works go along perfectly with W.E.B. Du Bois’s short story â€Å"The Comet.† In â€Å"Hamlet† and â€Å"A Streetcar Named Desireâ €  these plays contain a tragic genre, characterization in main characters, and relationships between the charactersRead MoreSeminar: Literary Theory Applied to H.P. Lovecraft-Notably â€Å"the Beast in the Cave†6821 Words   |  28 Pagesin his very first remarks on literature in the letter to Fliess (October 15, 1897) in which he discussed Oedipus Rex. He applied the idea of oedipal conflict to audience responses to the character of Hamlet in Shakespeare’s amply named play. Freud looked at Hamlets inability to act, and he speculated about the role of oedipal guilt in the life of William Shakespeare (Holland). The Oedipus complex, if you were wondering, essentially involves a childrens need for their parents and the conflictRead MoreDeveloping Management Skills404131 Words   |  1617 PagesConflict 375 SKILL LEARNING 376 Interpersonal Conflict Management 376 Mixed Feelings About Conflict 376 Diagnosing the Type of Interpersonal Conflict 378 Conflict Focus 378 Conflict Source 380 Selecting the Appropriate Conflict Management Approach 383 Comparing Conflict Management and Negotiation Strategies 386 Selection Factors 386 Resolving Interpersonal Confrontations Using the Collaborative Approach A General Framework for Collaborative Problem Solving 391 The Four Phases of Collaborative Problem Solving

`` Cold Sassy Tree `` By Olive Ann Burns - 1647 Words

The town of Cold Sassy is simply a traditional southern town. From family values to back alley gossip, the citizens of Cold Sassy play the role of southern parody in society. On the outside it appears to be genuine, caring and communal environment, but just like any community, its roots grow far deeper than its outward appearance. This is not an accident either, as author Olive Ann Burns writes this novel, Cold Sassy Tree, to emphasize intentionally the crooked nature of small, southern towns, and by extension, southern heritage as a whole. Through her characters, Burns paints a playful picture of misconception, polarization, conformity, and perseverance, and their weaving in and out of the culture of her fictional town. It is†¦show more content†¦Mill Town is, as its name boldly declares, the blue-collar hub of this southern sector. The citizens of Mill Town work the mill, which provides much of Cold Sassy’s resources. Despite this relationship, the people of Cold Sassy see the people of Mill Town as lesser than themselves. When writing about his encounters with Lightfoot McLendon, Will states, â€Å"The girl didn’t seem to have heard yet that nobody in Mill Town ever amounted to anything.† (Burns 71) As much insight as this quote provides into the thought processes of not only Will, but into the whole of Cold Sassy, Will further illustrates the division when he discusses what people would think if they were to find out about his forbidden feelings for Lightfoot. â€Å"I went from hoping I’d see Lightfoot to hoping I wouldn’t. It was one thing to like her at school and nobody know it. Here in Mill Town at my crosstie stage, folks would suspicion her if they saw me acting friendly.† (Burns 70) It is clear from these statements that the people of Cold Sassy are heavily prejudiced against those that consider to be of a lower class. This causes extreme division among the people, even to the extent th at they cannot associate with one another. While these examples of division are fairly obvious in the text of Cold Sassy Tree, the final source of division among the people is far more subliminal. There exists in the roots of Cold Sassy reliance upon tradition and cultural norms. They live by an unspokenShow MoreRelatedAnalysis Of Cold Sassy Tree By Olive Ann Burns1236 Words   |  5 PagesKiyara Lanier U.S. History 1 Allison Doolittle November 7,2016 Novel Analysis of Cold Sassy Tree Cold Sassy Tree is a fictional story written by Olive Ann Burns which details the life of a family in Cold Sassy, Georgia. The story is being told from the perspective of a teenager named Will Tweedy. The plot is focused around the love and marriage between Rucker Blakeslee and Love Simpson. There is a huge uproar and disdain from the family as well as the townspeople over the relationshipRead MoreSociological Themes In Cold Sassy Tree By Olive Ann Burns1594 Words   |  7 PagesTry Something â€Å"When you don’t know which way to turn, son, try something. Don’t jest do nothin’† (Burns, 2007, p. 315). In Cold Sassy Tree, Grandpa Blakeslee takes his own advice when he does â€Å"something† that will truly affect the lives of everyone around him. Written by Olive Ann Burns, Cold Sassy Tree delves into the life and action of a small town in Cold Sassy, Georgia. Barely three weeks as a widower, Grandpa Blakeslee elopes with Love Simpson, a Yankee women less than half his age. Their marriageRead More Religion and Coming of Age in Olive Ann Burns’ Novel, Cold Sassy Tree502 Words   |  3 PagesComing of Age in Olive Ann Burns’ Novel, Cold Sassy Tree In the small southern town of Cold Sassy, Georgia, at the turn of the twentieth century, teenage boys had to grow up fast. They were not in any way sheltered from the daily activities of the town. This was especially true for fourteen year old Will Tweedy. Olive Ann Burns’ first, and only completed novel, Cold Sassy Tree, tells of young Will’s coming-of-age. His experiences with religion, progress, and death in Cold Sassy escorted him alongRead More The Journey Through The Differences In Relationships in Cold Sassy Tree1658 Words   |  7 PagesThe Journey Through The Differences In Relationships in Cold Sassy Tree Dating back to the early 1900’s and all the way through to the present, romantic relationships have been viewed differently. From strict unwritten dating regulations to not having regulations at all, recent generations have become more liberated in making their own decisions. The progressing times have made us become a more accepting society and have caused a decrease in the strong practice of religion and class. EvenRead MoreEssay on Cold Sassy Tree Character Analysis Will Tweedy866 Words   |  4 PagesLiterature April 11, 2013 Character Analysis Struggles in life influence people to develop into who they will truly be. The struggles depicted in Cold Sassy Tree by Olive Ann Burns caused certain characters to be the way they are. Will Tweedy is the narrator and the main character in the novel. He is a fourteen-year-old boy growing up in Cold Sassy, Georgia. As a young adult with a free spirit, he appears to be very defiant throughout his teenage years. After Will’s grandmother, Mattie Lou, dies

My Personal Experience With Prejudice Essay - 1265 Words

In any society, how we see ourselves and how others treat us depends on many factors. Race, ethnicity, and cultural background are identifiers of individuals. Most people have confronted prejudice based on these identifiers, either personally experiencing discrimination or knowing someone who has. Beyond ensuring organizational compliance with a country’s anti-discrimination laws, it is incumbent upon managers to support diversity in the workplace and to be culturally competent. This paper will assess my personal experience with prejudice in the workplace, including the implications of the situation to the organization in terms of its stakeholders, reputation, and its legal responsibilities. Furthermore, I will analyze the negative effects the discriminatory behavior had on morale and functioning of coworkers and employees. Lastly, I will recommend three action steps that I would have taken as a manager to avoid the situation, in addition to three steps to render the situ ation. Summary of Discriminatory Behavior While in college, I worked at a local country club as a part-time employee. My manager was young and relatively new to the position, however, upon hire, he seemed like he had the appropriate skills to lead the guest services team. As servers, we were responsible for taking and delivering orders, bussing tables and ensuring overall member satisfaction with the food and service quality of the club. There were many servers on the team, and most of us wereShow MoreRelated My Personal Experience with Prejudice in America Essay1148 Words   |  5 PagesSomeone once asked me how I felt about prejudice. â€Å"In contrast to what?†, or should I say, â€Å"shocking in all its forms.† Initially my response was puzzling. Let me explain. If you were to ask me how I felt about prejudice in the United States I would have to say, â€Å"Here, I am very aware of my skin color.† It is no secret that the US has had a long historical battle with racism. I am able to be educated at the collegiate level, due wholly, or in part, to the Civil Rights movement of the 1960’sRead MorePrejudice: a Worldwide Problem1429 Words   |  6 PagesPrejudice: A Worldwide Problem There is a dangerous and often deadly problem in the world today. It reaches beyond political and religious boundaries and spans across all economic and social statuses. It affects the homeless, middleclass, and the richest people in society. The problem is prejudice. In America, when we think of prejudice we often think of it in terms of Black and White. However, prejudice is much more than that. It is a broad term that can encompass things like racism, sexism, andRead MoreThe Color Of Water By James Mcbride1506 Words   |  7 PagesColor of Water Comparison Essay When people are treated unfairly or unjustly, how should they perceive it and how to they generally react to this? In the Color of Water by James McBride, prejudice shapes James and Ruth in many ways, James has different stories than Ruth, due to the fact that he lived in a different time period, which makes his scenario different from Ruth’s. Both faced adversity, and stood up for themselves and defended themselves in many different ways just to make sure that theyRead MoreThe Color Of Water By James Mcbride1514 Words   |  7 PagesThe Color of Water Comparison Essay When people are treated unfairly or unjustly, how should they perceive it and how do they generally react to this? In The Color of Water by James McBride, prejudice shapes James and Ruth in many ways, James has different stories than Ruth, due to the fact that he lived in a different time period, which makes his scenario different from Ruth’s. Both faced adversity, and stood up for themselves and defended themselves in many different ways just to make sure thatRead MoreAnalysis Of Twelve Angry Men By Reginald Rose754 Words   |  4 Pagescharacterisation, conflict and tension, symbolism, language and setting, Rose dramatically reflects human experiences with ‘Twelve Angry Men’. It is a play that directly appeals to our sense of justice and equality and questions audiences to contemplate the arguments on a ‘fair trial’ in a judicial process when ‘reasonable doubt’ is also taken into consideration. Reginald Rose also reflects human natu re and experiences by taking into account the emphasis on each individual’s civic duty and responsibility to maintainRead MoreMinimum Of 10 Indications Of Prejudice : The Most Hated Homophobic Family In America1237 Words   |  5 Pages Identify a minimum of 10 indications of prejudice. The Most Hated Homophobic family in america In the video with the westboro baptist family church they hate all gays and homosexuals. (1.)(2.)(3.)Their picket signs showed a man lean over and another man behind him indicating what she called homosexual act that all gays are doing is just her own prejudices and beliefs that homosexual is nasty it is her own idea. Stereotype two all those in the act of sexualness not between one man and one womanRead MoreEssay on The Causes of Prejudice by Vincent N. Parrillo850 Words   |  4 Pages Prejudice is known for negative beliefs and actions upon individuals or even groups of people. In the article, â€Å"Causes of Prejudice† by Vincent N. Parrillo, Parrillo talks about both the psychological and sociological causes of prejudice but in this particular essay we will just be focusing on the former side of the equation. It happens at the cognitive level of prejudice where a person or a group of people believe in something that is not true. For example, some people say Asian people are notRead MoreQuestions On Attitudes And Attitudes869 Words   |  4 Pages For this assignment, I was assigned to take some assessments regarding some prejudices I might have. In my opinion, I do not think if it matters whether we are black, white, catholic, or gay or straight. Everyone regardless of certain demographics has some prejudice thoughts that are present in their mind. Those prejudices do not mean that we are racist or discriminatory. For the most part we base those prejudices on stereotypes that are not even true. From this website I had personally takenRead MoreA Narrative Of One Mexican American Woman1663 Words   |  7 PagesIntroduction: This is a narrative of one Mexican American woman’s experiences and her views on the importance of passing down the cultural beliefs of her ancestors. In the section of the country in which I live there is a large population within the community of Mexican American culture. Although I have frequent contact with people of Mexican American heritage either through employment or interaction out in the community, I have a limited understanding of their culture. For this reason, I chose toRead MoreMy Mother, If She Had Won Free Dance Lessons And The Cab Driver Who Ripped Me Off945 Words   |  4 Pagesideas can be viewed negatively or positively. Stereotypes may foster or perpetuate misconceptions about some demographics. In the poems, â€Å"My Mother, If She Had Won Free Dance Lessons† and â€Å"The Cab Driver Who Ripped Me Off,† both written by Cornelius Eady, contain characters who are susceptible to misconceptions and prejudices due to their personal experiences. In â€Å"My Mother, If She Had Won Free Dance Lessons,† the speaker discusses his mother s condition and how their lives could have been different

Proposal “Violence Against Women” Free Essays

Shantel Jones Professor Sara Yu Eng. 121-111 15 April 2013 â€Å"Violence Against Women† The research proposal I am preparing is going to be addressing violence against women and the challenges they face when children are involved in the household. The aim of the research is to view how these challenges are overcome and give way to women rights and their political rights (nineteenth amendment). We will write a custom essay sample on Proposal â€Å"Violence Against Women† or any similar topic only for you Order Now In the early 1990’s over half a million American women were raped. In 1994 congress passed the Violence Against Women Act (VAWA), which forbids the state from interfering with women’s citizenship and political rights. Starting from domestic abuse to rape as a weapon of war, violence against women is a gross violation of their human rights. Global issues of violence against women not only does it frighten women’s health and their social and economic health, violence also hinders global efforts to reduce poverty. Violence against women falls in several different categories. Domestic violence occurs between man and women. Domestic violence is one of the main issues in most parental abduction cases. The article also talks about custody battles and how visitation should go when it comes to the children. Domestic violence has been defined in various ways in the legal, social science, and psychology fields. Within the legal field alone, the term carries a different meaning depending on whether state or federal law governs and whether a case arises in the criminal or civil sphere. According to Deborah Goelman under the Violence Against Women Act (VAWA), â€Å"domestic violence includes the following: [F]elony or misdemeanor crimes of violence committed by a current or former spouse of the victim, by a person with whom the victim shares a child in common, by a person who is cohabitating with or has cohabitated with the victim as a spouse, by a person similarly situated to a spouse of the victim under the domestic or family violence laws of the jurisdiction receiving grant monies, or by any other adult person against a victim who is protected from that person’s acts under the domestic or family violence laws of the jurisdiction receiving grant monies. † This topic is of interest to me because as a woman studying the laws on women’s right helps you to become more knowledgeable in society. If the world does not address the issue, it stands to suppress the enormous potential of women and girls. When they feel safe, when they are empowered, wome n and girls can be game-changers. What I hope to gain from this research project is different ways to deal with domestic violence if I was to ever come in contact with a violent individual. How to cite Proposal â€Å"Violence Against Women†, Papers

Challenges and Trends Facing Food and Beverage Industry Free Solution

Question: Discuss about theFood and Beverage Industry. Answer: Introduction Scope The present report deals with the opening of food and beverage industry specifically a fine-dining Pan Asian restaurant in Melbourne CBD. The prime objective behind opting for such type of business is to provide the best hospitality and food of Asian culture to the Melbourne people (Ramseook-Munhurrun, 2012, pp. 630). Despite several established and successful Asian restaurants in Melbourne, the principal mission is to provide both the essence of restaurants and bar service, under a single roof for its customers. The potential customers of this resto-bar will include not only the local but also the overseas customers, especially the Asian customers. PESTLE External Environment Scan (Hospitality Sector) Pestle analysis of any food and beverage sector helps to determine the threats or opportunities involved in the establishment of this business. Political- Australian government facilitates restaurant industry with minimum tax provision. Economical- As the GDP of Australia is 3.4%, which is profitable for the restaurant business. Social- Being an Asian resto-bar, it has the opportunity to satisfy diverse customers belonging to different demography, viz., age, income, and culture (Hing, 2013). Technological- Technological advancements would definitely help to promote the marketing of the restaurant through its mobile app or its website. Legislative- It will need permit license which includes alcohol license, food safety license, and restaurant establishment permit. Environmental- It should maintain sustainability by providing eco-friendly and disposable packaging material, and there should be proper disposal of the waste products also (Kwok, and Yu, 2013, pp. 84). Industry competition analysis The necessary analysis for industrial needs such as a threat to newer entrants, substitutes, the power of buyers, and bargaining power of suppliers that will be reflective in real time implementation and service management at Pan Asian restaurant is given below. Additionally, the analysis also includes a section of industrial rivalry that provides adequate information for strategic execution. Threat of new entrants The existence of barrier like capital cost, product differentiation, lack of brand name, profitability, and access to distribution is the challenge. Pan Asian restaurant is newer comer and is liable to face competitive challenges (Bruwer and Huang, 2012, pp. 461). Threat of substitutes A Minimal level of risk persists as there only a few restaurants in Melbourne who provide Asian cuisine to customers. Bargaining power of buyers This is a fixed price industry, and the restaurant will also have a differential advantage with reference to their food product (Johnson, Ringham and Jurd, 2013) Bargaining power of suppliers Supply cost will be genuine, and transportation as well as network supply chain is safe in Melbourne that will impact reasonable vendor price (Bruwer and Huang, 2012, pp. 461). Industrial rivalry The location contains many moderate or high rating restaurant and bars. This brings the prospect of large advertising expense, and need a high degree of transparency to attract customers (Bruwer and Huang, 2012, pp. 461). Segmentation of Market The segmentation refers to the categorization of the market into various subsets such as consumers, business type, interest, priorities, and then framing proper strategic implementation to achieve market success (Ryu, 2012, pp. 200; Tsitsiloni, 2013, pp. 249). Product line The product line will offer dining, refreshment, and bar service to the customer. Additionally, occasional services like conference, banquet, parties and family dining service will also be provided. Market segment Market segment includes an approach for customer attraction, retention, and managing services to meet their requirement. The restaurant has a high competitive environment, and thus price must be small and flexible to attract customers. Customer segment Mainly the youth, family, and single adults are a prime target of the restaurant. This indicates the product design, specification, availability, and service must be in accordance with customer age-related demand and criteria. Demographic segment Demographic consideration includes age, cultural background, gender, and economic class of people in the society. The operational measures will thus be designed according to the demand of various age groups. Marketing Concept Marketing concept requires accurate knowledge and strategic implementation of the criteria into real practice. These factors are crucial determinant because they have the opportunity to attract customers, manage nominal price, brings competitive advantage, maintain quality and uniqueness, and scope for progress (Ruhanen, Mclennan, and Moyle, 2013, pp. 220). Promotion These measures will be implemented with advertising prospect; thereby making use of flyers, television and radio ads, the banner at the roadside location, and offering discount and other attractive offers. Place- Melbourne is an area with high population density that comprises of a diverse group of people. Product The product offering includes bar service and cuisine facility that have potential to attract customers of all ages. Price Pricing strategy must be nominal such that maximum people could be able to consume the service. Additionally, the pricing strategy must be competitive to raise its popularity in the market. People As mentioned above, mainly youth, young adults, and family members are prime customer segment and that the service offering must be aligned to meet their corresponding demand. Discussion of Business Success SWOT analysis refers to the market analysis that brings critical information for designing strategic framework (Orlitzky, 2015, pp. 1). Strength Provide Asian based food varieties. Arrange parties, banquet, and conference along with traditional pan dining facilities. Price is nominal and is comparatively less. Weakness The restaurant in new in the market. Cost differentiation is high, including newer employees, machines, infrastructure, and other set-ups. Capability criteria are not being analyzed to build strategies as the plan include risk and lower margin of profit. Opportunity Novel change to reflect Asian cuisine as unique selling point. The power of buyers and customer is at low-level and hence there is a scope of achieving market name. Threat Rivalry companies have an existing brand name. The majority of employees are newer in the firm. Achieving market reputation and retention of the loyal customer will take time. Staffing(people) Management Team A brief overview of the management team and associated staff within the organization has been discussed below. The individual team will comprise of product management, operational activity, employee management, marketing strategies, and administrative services. the management team is mainly consisting of two section, and they have responsibility sharing with reference to account management and sales (Chen and Elston, 2013, pp. 294). Other details of the staff and administration team are reflective in below mentioned chart. The skills are thus required include managers that must have experience and adequate competencies for operational management. likewise, the executives that will be assigned the responsibility for sales analysis, research, and development to launch newer food products and bar services, and human resource management team also need to have the sufficient competency and 1 2 years of experiences. Other than this the employees such as cleaning, housekeeping, waiters, and related people can be fresher in the hospitality industry, whom the firm will pay less but will provide them adequate training to manage the standards of hospitality services (Park and Jang, 2013, pp. 51). ResourcesBeeded (Tangible and Intangible) The resource requirement which are infrastructure like table and chair, plates and cutleries, glassware, tissue paper and napkins. Other than this, consumables such as wines, beer, and another type of liquors, water (mineral) bottles. Additionally, the requirement of a restaurant like AC, lightening, fan, and interior decorative are also requisite. Regarding the operational procedure, kitchen utilities, instrument, and cookware are also included in this consideration. The clothing of employees, special purpose design and clothes are all included in this account. Likewise, computer, printers, the internet and other hardware requirement are also included (Chen and Elston, 2013, pp. 294). The intangible resources include mainly the perishable raw material and packed food items. Similarly, temporary material based on customer needs such as meat, fruits, vegetables, and other dessert items are also included in this consideration. Budget As mentioned in the previous section, the restaurant is newer and hence the corresponding budgetary requirement is high. The details of the budget are given below in tabulated format. Infrastructure (furniture, machinery, and interior decorative element. $1,20,000 Infrastructure maintenance $20,000 (per month) Level 1 employees such as managers (2 in number) $7000 (per month) Level 2 employees such as sales executive, business analyst, HRM (3 in number) $5000 (per month) Level 3 employees such as kitchen cook, data analyst, technician, marketing person, public relation officer, quality controller (10 in number) $ 3,500 (per month) Level 4 employees such as waiter, field worker, transportation employee, cleaners (10 in numbers) $2,500 Raw material every day (average budget limit) $5,000 Outsourcing price every day (average budget limit) $5,000 Total $2,39,000 Finance The financial loan will be taken from nearby hypothecated band such as Nationalised Bank within Melbourne at the nominal interest rate. The mortgage of the loan will be the restaurant assets. Other than this, the stakeholder will also contribute to the investment that mainly includes financial investment from owners and partners (Park and Jang, 2013, pp. 51). The investment will also be reflective in terms of networking with outsourcing firm, suppliers, and service providers. For example, the purchase of raw material on a daily basis, outsourcing like transportation, public relationship management, employment agencies will be paid for their service on a monthly basis (Park and Jang, 2013, pp. 51). Transaction of money will be made online between the various partners and supplier firms. Likewise, the internal employee engagement such as attendance, payment, contract relationship, and another mode of financial accounting will be processed using software system. References: Chen, S.C. and Elston, J.A., 2013. Entrepreneurial motives and characteristics: An analysis of small restaurant owners. International Journal of Hospitality Management, 35, pp.294-305. Bruwer, J. and Huang, J., 2012. Wine product involvement and consumers' BYOB behaviour in the South Australian on-premise market. Asia Pacific Journal of Marketing and Logistics, 24(3), pp.461-481. Hing, N., 2013. Maximizing franchisee satisfaction in the restaurant sector. Journal of Consumer Marketing. Retrieved from www.emeraldinsight.com/doi/abs/10.1108/07363769910289604 Dated 11 Oct 2016. Johnson, L.W., Ringham, L. and Jurd, K., 2013. Behavioural segmentation in the Australian wine market using conjoint choice analysis. International Journal of Wine Marketing. Retrieved from www.emeraldinsight.com/doi/pdf/10.1108/eb008585 Dated 11 Oct 2016. Kwok, L. and Yu, B., 2013. Spreading social media messages on facebook an analysis of restaurant business-to-consumer communications. Cornell Hospitality Quarterly, 54(1), pp.84-94. Orlitzky, M., Louche, C., Gond, J.P. and Chapple, W., 2015. Unpacking the drivers of corporate social performance: A multilevel, multistakeholder, and multimethod analysis. Journal of Business Ethics, pp.1-20. Park, K. and Jang, S.S., 2013. Capital structure, free cash flow, diversification and firm performance: A holistic analysis. International Journal of Hospitality Management, 33, pp.51-63. Ramseook-Munhurrun, P., 2012, January. Perceived service quality in restaurant services. In Global Conference on Business Finance Proceedings (Vol. 7, No. 1, p. 630). Institute for Business Finance Research. Ruhanen, L.M., Mclennan, C.L.J. and Moyle, B.D., 2013. Strategic issues in the Australian tourism industry: A 10-year analysis of national strategies and plans. Asia Pacific Journal of Tourism Research, 18(3), pp.220-240. Ryu, K., Lee, H.R. and Gon Kim, W., 2012. The influence of the quality of the physical environment, food, and service on restaurant image, customer perceived value, customer satisfaction, and behavioral intentions. International Journal of Contemporary Hospitality Management, 24(2), pp.200-223. Tsitsiloni, M., Grigoroudis, E. and Zopounidis, C., 2013. Service quality evaluation in the tourism industry: A SWOT analysis approach. In Optimization Theory, Decision Making, and Operations Research Applications (pp. 249-266). Springer New York.

Star Wars Episode Score Analysis Essay Example For Students

Star Wars Episode Score Analysis Essay Lucas, never having been a conventional filmmaker, completed the tar wars (Original) Trilogy (CT) with Return Of The Jed in 1983 (see Appendix: Synopses). However the original Star Wars premise was off 9 episode epic. The TO was the middle three films (Episode IV A New Hope, Episode V The Empire Strikes Back. And Episode VI Return Of The Jed) and many fans thought that with Return Of The Jed the saga was complete. However, in 1999 Lucas released Episode I ? The Phantom Menace, This began the prequel Trilogy (P T) which culminated in 2005 with Episode Ill Revenge Of The Sits Working in this way has not only meant that the look and design elements of the film (2005 costumes and sets maintaining continuity with 1977 counterparts) have had to be carefully monitored, but have given John Williams a wealth of previous themes and styles in which to work in. We will write a custom essay on Star Wars Episode Score Analysis specifically for you for only $16.38 $13.9/page Order now Personally, I believe this to be the best Star Wars score; both as a stand alone piece of film scoring (as it complements the film excellently) but also acts as the shining jewel within the six film crown. Through the recommendation of their mutual friend Steven Spielberg, Lucas and Williams union resulted in the resounding, nearly unheard-of success of the Star Wars soundtrack. Yet Lacunas use Of an operatic score in A New Hope caused some o raise their eyebrows. M,hen George started A New Hope, in the mid-asses, sound designer Ben Burnt remembers, the trend was not to have densely scored movies. Music was used sparingly by todays standards. Lucas nevertheless went on to order a soundtrack that played for much of the films running time . A New Hope went on to win Williams an Academy Award for his score that year And that was just the beginning of a successful collaboration. Part of this success has been continuity. Not only has Williams drawn on his previous material from the Star Wars saga for this film, but he has used, as with all the Star Wars films, the London Symphony Orchestra (I-SO) and (certainly for the PET) the London Voices choir. Despite working in a multitude of ways and scoring a wide variety of films, it is ironic that Williams is best known for his grand orchestral scores, like Jurassic Park, Indiana Jones and Star Wars. It is no coincidence that these films are part of a series, and for each film in the series Williams has been invited back to do the scoring. The massive scale of the ALSO has always been integral to the Star Wars films, but in Episode Ill Williams carefully blends synthesized vocal work into the fabric of the score. Williams uses the various sections of the orchestra to great effect. One could suggest that strings and woodwind moments could be quite natural for lush, romantic scenes, whereas brass and percussion will be batteries moments within the film. However, it is Williams art that he can juxtapose instruments in classically inopportune moments, yet still create a fantastic score. One Of Williams pet preferences is the use Of the French horn. Throughout the Star Wars films the French horn has always had prominence during the more emotional, quieter moments. For example, the Binary Sunset cone in A New Hope (where Luke looks out over twin sunsets on Tattooing from outside his uncles friar) featured a French horn version of the Force Theme, which is also revisited note-for-note as Uncle Owen holds the newborn Luke in his arms looking out over a Binary Sunset at the close of Episode Ill. The solo French horn also plays a version of the Leila theme as the infant Leila is presented by Bail Organ to his wife. Not only do instrumentations choices such as this imbue the Episode Ill score with a sense of continuity within the compass of John Williams work, but also establishes itself as a score in a larger collection to Star Wars scores. The use of the ALSO (a 100+ piece orchestra) and the London Voices (an over 180 strong choir) gives a large degree of, well, force, to the recordings. When Williams thinks a French horn solo will give the best results, he uses a 5010 French horn (such as the Binary Sunset homage on Tattooing), and if he thinks that the French horn is the instrument of choice but needs a thicker texture, or more resolute timbre then will write for all four horns (Timothy Jones, David Patty, John Ryan and Jonathan Lipton It is this integral knowledge of how far to extend parts to instruments that is Williams forte. Williams can write in a myriad of different styles and genres. Perhaps no coincidence that his most well loved scores (most of which have a predominance of large orchestras) happen to be the biggest grossing films at the box Office. Prom E_T, Indiana Jones, Jurassic Park, (in fact, think almost every Steven Spielberg film) to the recent Harry Potter films, large dramatic orchestra has been the way to go. Still, it is With films like Minority Report, Jaws (his first Oscar-winner), Saving Private Ryan, Chandlers List, AAA. Nixon, that emotional context and delicacy become just as important to Williams. Through Star Wars and his other big-orchestral works he can indulge his clear influences from the likes of Erich Gordon (himself an Oscar winner for The Adventures of Robin Hood (1938) ) and become the forefather of the modern film score. Starting in the asses with the likes of Gordon, big orchestral scores were popular until the experimental ass and ass where jazz, world music and other influences would saturate the scoring community. However, with the score for the then titled Star Wars (since renamed Episode IV A New Hope), Williams returned the big orchestra to the tray, where it has resided ever since. Part to the effectiveness of Williams A New Hope score was his extensive use of the leitmotif device. In music drama, this is a marked melodic phrase or short passage which always accompanies the reappearance of a certain person, situation, abstract idea, or allusion in the course of the play; a sort of musical label. Also appears as a dominant and recurring theme. With origins in the operas of Wagner, who wrote particular melodic or harmonic passages that the audience associated with certain characters such as the Sigmund theme from Wagers teratology Deer Ring Des Unbelieving, Williams use of leitmotifs throughout the 30 year history of Star Wars is never more evident than in Revenge Of The Sits The Force Theme, Luaus Theme and Leis Theme all appeared in A New Hope and return in various (and perhaps their most emotional) guises in Revenge Of The Sits. The Imperial March (often quoted as Dart Evaders Theme although differs from the A New Hope Evader theme), and Hoods Theme from The Empire Strikes Back return. Also returning is the Emperors Theme from Return Of The Jed. It is through the use Of these themes and tracked music from the PET that Williams creates a sense Of continuity between the preceding five films and Revenge Of The Sits. In terms of this score, Williams himself said in The Making of Star Wars: Revenge Of The Sits The Final Chapter by J. W. Reindeer: My first impression, whenever George shows me these films, is usually, My God, so much? Im not going to be able to write all that. Because it goes from scene to scene, battle to battle, and fight to fight, I have to confess its always a little bit daunting when I first see these things. May ask George something like, how many weeks did you say weve got to do this in? And hell tell me and we laugh, This is a very important trend with the Star Wars films even more 50 than in Williams canon as a whole: there is a lot of scoring in Star Wars. The majority of the film is scored; perhaps as much as of the final two hour twenty minute running time has music added. Add that to the fact that these films have an awful lot of post production and visual effects shots to be completed before release, and its no wonder that Williams often appears in danger of running out of time to write and record the pieces for this film. One of the main elements of this score has surfaced numerous times throughout the Star Wars saga, which is the process Of tracking. With such a back catalogue Of themes and recordings o look back on, much of the thematic material is used in new ways (one of the predominant examples is the appearance throughout all the films Of the Force theme in its various guises), and some is literally taken from previous recordings and used in the final film. Not only does this alleviate slightly the burden of work on Williams, but also thematically links all six films together. For example, the opening shot of the Battle of Shaky could have had some original music composed and recorded, but a track from Episode The Phantom Menace entitled Activate The Droids, has not only been established as a theme for a Attlee within the Star Wars universe, but fits the action cue too. It seems in terms of tracking within Revenge Of The Sits that (Sound Designer) Ben art, has not massacred Williams score like he did in Attack Of The Clones, where much of the Arena duel was not scored even though Williams wrote exceptional music for that scene (in a curious twist much of Williams unused music from the Arena is tracked into Episode Ill), but rather Lucas and Williams have sat down and spotted exactly where new music needs composing, and where tracking of specific previous material is acceptable. This can be seen from the Nanking vs.. .u489f6d087553d22d4932223514594f75 , .u489f6d087553d22d4932223514594f75 .postImageUrl , .u489f6d087553d22d4932223514594f75 .centered-text-area { min-height: 80px; position: relative; } .u489f6d087553d22d4932223514594f75 , .u489f6d087553d22d4932223514594f75:hover , .u489f6d087553d22d4932223514594f75:visited , .u489f6d087553d22d4932223514594f75:active { border:0!important; } .u489f6d087553d22d4932223514594f75 .clearfix:after { content: ""; display: table; clear: both; } .u489f6d087553d22d4932223514594f75 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u489f6d087553d22d4932223514594f75:active , .u489f6d087553d22d4932223514594f75:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u489f6d087553d22d4932223514594f75 .centered-text-area { width: 100%; position: relative ; } .u489f6d087553d22d4932223514594f75 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u489f6d087553d22d4932223514594f75 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u489f6d087553d22d4932223514594f75 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u489f6d087553d22d4932223514594f75:hover .ctaButton { background-color: #34495E!important; } .u489f6d087553d22d4932223514594f75 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u489f6d087553d22d4932223514594f75 .u489f6d087553d22d4932223514594f75-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u489f6d087553d22d4932223514594f75:after { content: ""; display: block; clear: both; } READ: Dead Poets Society Character Analysis EssayObi Wan cue, which ends on the exact same chord that segues into the opening choir of Duel of the Fates from The Phantom Menace. Most of the tracking of the music in the film was exemplary, with only a few exceptions Although, like most avid listeners of Williams music expected to hear the Imperial March when Evader climbs the steps to the Jed Temple, the absence of it, and its predominance at the close of Attack Of The Clones, made much more sense in context than would have initially predicted. Some fans Of Star Wars and Williams in general seem to focus too much on associating a piece of music With a particular scene, rather than as a cue in itself. For example, When Wood confronts Studious in his office, a highly dramatists version of the Imperial March theme is heard, and as Studious is the Empire, this music fits so well With the scene. However, some fans complain that this is the music from The Empire Strikes Back final duel and cant see past this to discover how well it fits with the scene In listening to the CD soundtrack release, it is clear that during certain scenes, such as the CD tracks Nanking vs.. Obi-Wan and Enter Lord Evader have added percussion parts that seem to be additions by the sound design apartment. It seems similar to Ben arts additions to the Attack Of The Clones Druid F-actors sequence; luckily Lucas did not like the metallic percussive sound effects and asked John Williams to score that sequence instead! This raises an interesting question regarding ownership and collaboration within the motion picture business. Many critics of film scoring see it as an interior side of music, merely bashing out the same tired old cliche ©s time and again, They do not see the craftsmanship involved in weaving a tapestry of musical ideas that complement the moving images so succinctly and successfully. I personally believe that film scoring is one of the best forms of musical expression available, and at a commercial level is one of the most effective ways of distributing your material too vivid audience. The question that has to be asked is to what extent is the composer in charge of their material? Certainly in Attack Of The Clones Ben Bursts decision to track the entire Arena sequence when Williams new original music (available on the films soundtrack CD) was not used seems criminal, but ultimately by wearing both sound designer and editor hats Burnt had the final say. Lay being assistant editor on Revenge Of The Sits, and because Williams and Lucas held detailed spotting sessions (including what material was to be tracked), Bursts creative decisions were limited. Fortunately. The main reason for this, and the explanation for many fans bitter disappointment with the previous two prequel films, boils down to the belief that George Lucas is surrounded by yes men . Lucas will be ce rtain in his convictions towards certain aspects of the film, but then his producers and heads of departments will start working on talking him around to their way of thinking. This extract from The Final Chapter demonstrates this: Animator Shawn Kelly then plays a rough animation of a scene outside the Jed Temple when Obi-Wan and Wood are attacked, with Wood throwing his lightfaces through a storekeeper, jumping on the troopers chest, and pulling it out. *They do this a lot in video games, Kelly says. l like it, Lucas responds, but in theory. Dart Evader throws his lightfaces on the walkway , Knoll chimes in. Yeah! Lets do it, Rick interjects. Non want to think about it? Rob asks. l hate to say it, but it seems very UN-Jed, Lucas says. But these are difficult mimes, McCollum counters. A good Jed does not let goof his sword, Lucas protests, but adds, If Wood swings around, he could end up on his chest . -The matter is left hanging. When the final film was released the scene Of Wood throwing his lightfaces was in the final print, much to the dismay of many fans. It seems that Lucas, the man Who knows exactly What a Jed would or wouldnt do, could not say no to the people around him. Fortunately it seems he was much more resilient in terms of Williams scoring. Lucas knows how far to push Williams, as another extract from The Final Chapter reveals: As they go up the stairs, heading for the dining room, Lucas explains that after the spotting session, This is it. I wont hear the music until step onto the stage at Abbey Road Studios, Tears always the most exciting part, usually, love ninety percent of what Johnny has done. Of the other ten percent, might complain about five percent of it, and Johnny rewrites it during the weekend. The other five percent I stay quiet about Im sure much of Lucas faith in Williams comes not only from the wealth of experience that he brings with his compositions, but also that Williams scores are tremendously popular. Part of the popularity of Williams scores is that an audience can understand it and relate to it. If they went into Harry Potter and the Chamber of Secrets and were delivered a post-modern diatribe in atonality, they Would be severely disappointed. Although mostly diatonic in Origin, Williams is not afraid to use extreme dissonance (particularly to create tension with some Of the more horrific Dark Side moments of Evaders actions in Episode Ill) when the emotional and semiotic context of the film requires it. It is his knowledge Of how far to push the dissonance that makes all the difference. Certainly the agree of dissonance increases as the film works towards Manikins fall to the Dark Side. Williams brass parts in Episode Ill can be highly charged, such as in the opening space battle. Or mournfully solemn such as during Paid ©s final words to Obi Wan before her death. Station within the brass is prevalent for much of the action sequences, Williams either has an innate knowledge of how to create exciting action music, or over 46 years-worth of experience (if you are cynical), Brass station with either woodwind and strings, or full orchestral melodies have been his trademark, and in Revenge Of The Sits they are no experimented, Melodic focus is vital to Williams scores. Upon viewing Raiders to the Lost Ark (Indiana Jones), Superman, or Jaws, I debt anyone to not be able to whistle the main themes melody whilst leaving the screening. It is the balance of melody and accompaniment that makes Williams relevant. This is not to be completely sycophantic, there are some times where a lack of either discernible melodic strands or driving bass rhythm can just take the edge off the film, but they are rare moments in this picture The melodic material in this film is highly developed. Just taking the Force Theme (see Appendix: Star Wars Thematic Material) as an example unearths a variety of developments depending on the action. From the opening militaristic rendition (which indicates who the fighter pilots are before their faces are ever shown), to the disappointed woodwind version in the Jed Council chamber (which tells us how Obi Wan is feeling about his Old pedants impulsiveness as if the look on his face was not enough), to the triumphant trumpet blasts of Force as Wood defeats the Clones outside the Jed Temple; each character using the Force in different ways, each Force theme being used in different ways. There is only one rendition of Hoods theme FM The Empire Strikes Back, yet it is at its most touching. After having been rescued from the Clones by the Hookiest, Wood is given an escape pod and (much like E. Its exit from the film of the same name) escapes to the stars. At this point there is a subtle yet emotional strings and woodwind voicing of Hoods melodic theme from Episode V. Notably there are many references to the Imperial March. Although expected to be revealed in its fullest most powerful form (as in The Empire Strikes Back), it does not appear this way, having its moment of infamy at the close of Attack Of The Clones, where the taking off of the Republic arms ships railed the true beginnings to the Galactic Empire. However, it does appear in a number of forms, some incredibly subtle such as the harp chords when Palatine is rescued, some incredibly dramatic such as in the battle been Vodka and Dart Studious, The development of this theme throughout the film perfectly ties the Prequel trilogy and the Original trilogy together. The more sinister representations of this theme occur when the (not yet revealed to be evil) Chancellor Palatine is manipulating and clouding the judgment of the confused Nanking Jaywalker, though these sections are also punctuated with elements f the Emperors theme. Perhaps the most revealing suggestion of the Kiths corruption Of the Jed Order is the use Of the Imperial March theme When Nanking is in the Jed Council and is told he is not granted the rank of Master As Episode II ? Attack Of The Clones showed the blossoming love between Nanking and his wife Paid ©, so Williams created a musical motif to complement their closeness. Entitled Across The Stars (and often dubbed the Love Theme for expediency), this piece made up the majority of the Episode II score and returns in various (more and more disintegrating) versions within Revenge Of The Sits. From being harassed in mostly the same manner as the previous film when Nanking is first reunited with Paid © at their apartment (although with a wonderful solo violin countermanded akin to the more beautiful parts to James Newton Hoards The Village score), to the emotionally draining synthesized layerings whilst Nanking is deciding to intervene in the Chancellors arrest (CD soundtrack title Paid ©s Ruminations), this piece gradually fades away throughout the length tooth score, Not because Nanking feels any less for Paid ©, in fact, it is because he loves her so much that he becomes Evader, the ultimate in tragic_ irony, but because he Dark Side of the Force, and its musical connotations, are brought into the foreground. Eel at this point I should mention Paid ©s Ruminations; ever since Hans Shimmers wonderfully collaborative score with Lisa Gerard for Riddled Coots epic Gladiator (2000), ethereal, mellifluous female vocals have surfaced during intensely emotional scenes. He re, Williams foray into this use of the female voice adds fantastic insight into the scene. Where there is no dialogue, Williams can show the audience what the characters are thinking and feeling clearer than any lines Lucas could have put in the scene. The blending of the (synthesized) female vocal wailing, and synthesized exposition of the Love theme create such a strongly emotional scene that even Nanking makes his decision to stop Mace, as an audience you feel his pain too. .u1853ed6b60eeaa5808b7ca64967aae86 , .u1853ed6b60eeaa5808b7ca64967aae86 .postImageUrl , .u1853ed6b60eeaa5808b7ca64967aae86 .centered-text-area { min-height: 80px; position: relative; } .u1853ed6b60eeaa5808b7ca64967aae86 , .u1853ed6b60eeaa5808b7ca64967aae86:hover , .u1853ed6b60eeaa5808b7ca64967aae86:visited , .u1853ed6b60eeaa5808b7ca64967aae86:active { border:0!important; } .u1853ed6b60eeaa5808b7ca64967aae86 .clearfix:after { content: ""; display: table; clear: both; } .u1853ed6b60eeaa5808b7ca64967aae86 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u1853ed6b60eeaa5808b7ca64967aae86:active , .u1853ed6b60eeaa5808b7ca64967aae86:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u1853ed6b60eeaa5808b7ca64967aae86 .centered-text-area { width: 100%; position: relative ; } .u1853ed6b60eeaa5808b7ca64967aae86 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u1853ed6b60eeaa5808b7ca64967aae86 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u1853ed6b60eeaa5808b7ca64967aae86 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u1853ed6b60eeaa5808b7ca64967aae86:hover .ctaButton { background-color: #34495E!important; } .u1853ed6b60eeaa5808b7ca64967aae86 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u1853ed6b60eeaa5808b7ca64967aae86 .u1853ed6b60eeaa5808b7ca64967aae86-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u1853ed6b60eeaa5808b7ca64967aae86:after { content: ""; display: block; clear: both; } READ: Swot Analysis EssayAnother cue Of Williams at his most experimental in this film is a bizarre hybrid of scoring and source music; As Nanking meets With Chancellor Palatine in a Coruscate theatre, we are treated to the sight of a troupe of Moon Calamari performing an aerial / water ballet. Here Williams creates source music literally like nothing ever heard in Star Wars before. He uses the throat singing technique, with all the overtones and polyphony associated with it, to create a dramatic and ethereal musical experience. Through this scene Palatine divulges to Nanking the story of the Sits Master Dart Plagues, and as it progresses we hear less throat singing, and more lo w sinister strings and brass as the focus of the scene changes. This audacious balancing of source music and score creates a memorable musical experience. It is scenes like the Calamari ballet and Paid ©s Ruminations that show Williams at his most experimental, yet still making the score believable. It is with his more recent works like Revenge Of The Sits and Harry Potter and the Prisoner of Cabana that demonstrate an experimental edge and maturity that are a direct influence on the complimentary tone of this essay, Some of the enlightened academic criticism of film scoring as an art form and banging out tired old cliche ©s has been leveled at John Williams because he gives the audience a familiar frame of reference. It is with experimental scoring like the tuft scenes have mentioned that seem to confound the critics and endear his scores to those with more than a passing interest in film. One of the more memorable and emotional reverberations of original themes is the use Of Leis theme. First written for A New Hope in 1977, the theme that captures the beauty yet determination Of the First Daughter Of Alderman is reworked for the lead in to that particular episode. Unpredictably, it is not played when Leila herself is born, but on a French horn when Bail Organ tells Master Wood that he and his Wife will adopt her. Williams use of the French horn manages to convey the sadness that the tubing are being split up, yet still retains a glimmer of hope. The theme also appears with an orchestral backing when Bail actually does present Leila to his wife in their palace on Alderman. This is striking in that it establishes a bizarre paradox where chronologically Williams uses material he has already composed some thirty years previously, yet in the chronology of the films story he is merely alluding to music that will become much more familiar in the next episode, The absence of Luck ©s theme is just as striking. As this theme also serves as the Main Title in its most triumphant reincarnation, it has not been heard within the context of the films since 1 asss Return To The Jed. After Luke is born at the end of Revenge Of The Sits, and in the Binary Sunset reverberation, it returns with the string section optimistically looking foamed with Luke as a new hope for the galaxy. The main title of every Star Wars film opens in the same way: The 20th Century Fox fanfare and logo (composed by Alfred Newman in 1954 and used as the studios trademark before all their films) followed by the Localism logo. Immediately afterwards the Star Wars title card flies away from the viewer before the story exposition text crawl slides up the screen before fading into the distance and giving way to the action. This continuity (it happens in each of the six films, the only difference being the textual content of the crawl) imbues the saga with a sense fulfillment: you know what you are going to get at the opening. In fact, having seen Episode Ill on its opening night, the first beat Of the Main Title music was received vivid raucous cheering and applause! They knew that this was the last in the series, a poignancy made even more apparent by the Luke theme at the close of the film. The ending rendition of the Main Title serves just as important a function in the tradition Of Star Wars scores. Throughout all ix films, and Revenge Of The Sits being no exception, the final scoring scene builds up to a climax that segues into the same ending arrangement of the Main title theme. This then continues through the reverberation of various pieces (for example Episode Ill cycles through the Main Title, then Leis Theme, then Battle of The Heroes) before finalizing with a triumphant concluding rendition of the Main Title. This not only creates a framework for scoring the end credits sequence, but once more demonstrates the continuity been all six pictures in the saga. It is not just character leitmotifs that Williams has revisited during his film, but also situation themes, In Episode The Phantom Menace, Quiz-Goon Jinns funeral pyre was accompanied by a lamentations choir, and in Revenge Of The Sits he revisits the powerful funeral dirge for paid ©5 funeral band indeed the rebirth of Dart Evader). The orchestration for Episode Oils funeral is again a more mature and sensitive approach, to the extent that the cinema screening saw had many a glistening eye Battle themes are a staple within the Star Wars universe; the clash of lighteners mostly always accompanied by some dramatic Williams scoring (although interestingly a lot of the opening Obi Wan Nanking s. Took duel is unsecured). In The Phantom Menace Williams blended 180 voice strong Sanskrit choral favor with driving brass station and a woodwind countermanded in the dramatic Duel Of the gates. This cue reappears in its exact original form in Revenge Of The Sits when Master Wood and the Emperor are dueling in the Senate Chamber. The tracking here is deliberate, the newly composed previous cue Nanking vs.. Obi Wan concludes with the same chord as the opening choral blast of Duel of the Pates; a prefect segue between the two. Nanking Vs.. Obi Wan, instantly passing the hospitality test has a new 9 note elodea over a driving brass station, and through the course of the Mustard battle picks up choral and brass voicing of the Force theme, with emotionally tragic overtones. This battle theme is typical Star Wars pomp and spectacle, the music matching the quality of the storytelling, and the dazzling special effects. It is through his music that emotionally Williams can switch in a heartbeat from influencing the way the audience feels, to demonstrating exactly how a particular character is telling. Yet emotional context is not all the score tort Episode Ill is limited to. The trademark wipe scene transitions associated with the Star Wars alms are back in Revenge Of The Sits, and with them come very slight musical fanfares or transitional lead-ins to accompany the visuals. Some are literally just moments, such as the flight over night-time Coruscate before the reveal of Nanking and Paid ©s apartment, overhears others, such as the transition of Obi Wan flying down onto taupe, lead into a more extended musical passage. Underscoring dialogue is vital in Star Wars, especially in Episode Ill as most of the films running time is musical. However I feel that Burnt sometimes mixes the music too low for it to be as effective as the composer intended. But, when al is said and done that is his responsibility and not the composers. Marrying music With image is also important. Whether it is a sinister anti-fanfare heralding Grievous arrival on the bridge of his ship, or a timpani roll just before Nanking decapitates Count Took, the music just adds an extra layer Of depth to the picture. Williams is also not afraid to hit the action where appropriate; not in a cartoon bonk splash fashion, but, for example, where Grievous is advancing on Obi Wan with his sabers twirling, and at the exact moment Obi Wan lunges at the General, only to have his strike blocked, the dramatic music licks in with gusto. It is the diverse roles of Williams music within Episode Ill Revenge Of The Sits, punctuating action scenes, influencing the emotions of the audience, explaining the emotions of characters, underscoring dialogue, transitioning between scenes and locations, that am certain contribute to the success of Revenge Of The Sits, And a film that in only one showing at 12. 01 am on its opening day can make $16. 5 million cannot be deemed anything but successful.

Sample Essay For Leadership

Sample Essay For LeadershipWhen you start the job hunt, a great way to find out what you need to know is to read the sample essay for leadership. You will also need to be familiar with the entire sample. Here are a few tips for you to get started:The best part about the sample essay for leadership is that it is free. The fact that you can write it yourself without a lot of added cost only tells you one thing, however. The entire thing is well written and informative, and not just a random collection of words thrown together. What exactly do you think that this sample could teach you?You want to know more about yourself and how you want to be perceived by others. How would this affect your leadership program? There is no doubt that you want to move up in your company, but you also want to feel good about yourself and how you make a difference. Reading this essay will give you the confidence you need to succeed.Before you start a leadership program, you should prepare yourself to get b etter at it. This means that you need to have a strong personality. Without this quality, you will not be able to motivate others to be successful.The most important skills you will need to get into the best position you can be is that you must be honest and trustworthy. You should be able to hold people's attention and hold yourself accountable for your actions. This will make you look like a leader.You may have a hard time focusing on yourself and your success, but you will need to pay attention to small events. If you are too concerned about what other people are doing, you will never be able to move forward and achieve your goals. You should listen to your inner self and work on improving yourself. You will benefit from all the techniques you learn.A leadership program is more than just one person making a difference. It involves the whole team. You want to ensure that everyone is working together and contributing their part to the achievement of the program.If you are looking t o get started on your own leadership program, this is a great place to start. Most of the information you need is right there. The essay will give you insight into the characteristics and strengths that you will need to be successful. So start today!